I read the second half of this book in one sitting when I couldn’t sleep one night, and I was totally gripped by it. I remember lying in bed thinking gushing adjectives about how incandescent, perfect, heart wrenching and beautiful it was.
The book tells parallel stories, in alternate chapters, of Augusta, a twin in a very middle class suburban family in the South of England who feels out of place, and Parfait, a boy growing up in war torn Burundi and suffering terrible atrocities and traumas.
Both Augusta and Parfait dream of escaping to a different life and a tragic happening when Parfait finally makes it out of Africa to the shores of Spain at the same time that Augusta’s family are holidaying in Spain shapes both of their lives.
Looking back on the book, and analysing it, I can’t help thinking the the story is very contrived, and our heartstrings are constantly plucked at with what could be unkindly construed as manipulative melodrama, and yet, I still remember how much I loved the experience of living the drama with the characters, so I think I’ll stick with my gut and not my head and say it’s a great book!
According to this book (I don’t know if it’s true or not), scientists have shown that brain activity can continue for up to 10 minutes 38 seconds after clinical death, and that is the premise for the first half of the novel, as we share the thoughts of Leila, a sex worker in Istanbul for the ten and a half minutes immediately after her murder. She remembers her life, from her birth and childhood, to the circumstances that lead to her becoming a sex worker. These memories are hung around her meetings with five significant people who she has loved and who have loved her. We also get a short back story for each of these characters, making this part of the book a little too disjointed for my tastes, almost like a series of connected but separate short stories. For me, the second half of the book, where these five friends of Leila’s come together to try to give her a proper burial is where the book really comes alive – it has humour, pathos and shocking stories of abuse within families and in greater society not unique to the Turkish culture, but interestingly framed within it.
I was quite excited by the opening of this book. The premise, told by the main protagonist, a girl, Julia, aged eleven at the beginning of the book, is that the rotation of the Earth is slowing, so that day lengths are increasing. We are never told why this is happening, but I was fascinated by the science of what effect this would have on life. Things like gravity increasing, due to the lessened effect of centrifugal force which counteracts some of the force of gravity. Unpredictable eclipses and other phenomena like solar flares, etc. Increase in solar radiation and the dying off of plant life. That part I loved. I didn’t love so much the coming of age family drama aspects of the story. I do appreciate that an end of the world disaster story only has true meaning if we bond with the characters going through it and get to know them as real people, I just found myself bored by the endless American Middle School Angst of Julia, fretting over boys and training bras and who is best friends with whom when I wanted to know more about what was happening on a global scale. I thought the book picked up again towards the end, so I’m maybe judging too harshly, as many books dip in the middle.
The Burning Page (The Invisible Library book 3) Genevieve Cogman – 30.03.21
So, I read the next two books in the Invisible Library series. I’m still trying to decide what I think of the series. I can’t really say anything negative about it – it doesn’t really annoy me (apart from the ‘sexual tension’ between the female lead and just about every male person she comes into contact with). There are a lot of elements that I like – the parallel worlds, the fey (magical people) and the dragons (who doesn’t love dragons??). It’s quite exciting, in a ‘cosy mysteries’ kind of way. I’m not sure why I just like rather than love these books. Still, I’ll keep reading the series, so that says something, I guess….
I loved The Hunger Games trilogy, both the books and the movies, so I was very excited by the release of a new addition to the series. In the original books, the president of Pan Am is a wicked character called Coriolanus Snow. This book is a prequel and focusses on Coriolanus as a young man who is a mentor to a girl from the districts who is chosen to compete in The Hunger Games.
Initially, Coriolanus is a fairly well meaning and noble character, with some questionable motivations, but basically trying to do the right thing. I was trying to wrack my brains and remember more from the original books to see if his character as an old man had proved to have redeeming goodness, because I really wanted him to keep hold of the goodness within him. As the book progressed, however we see how events affect him and how the less noble aspects of his character are fed.
After having only listened to The Magnus Archives on my morning runs for so long, it was glorious to get back to a real novel, and getting my next installment was great motivation for getting up at the crack of dawn and going out running! I thought the book was very thoughtful and interesting, especially for a ‘young adult’ novel. The exploration of motivation behind totalitarian regime’s was deep and challenging.
There were a lot of songs in the book, and the narrator never attempted to sing them, so it was slightly weird just having them read out as straight prose, but I guess getting a narrator who was also an accomplished singer might have been difficult (and I guess some of the songs maybe don’t actually have tunes?). I really enjoyed the book though.
I very much enjoy the genre of books sometimes referred to as ‘urban fantasy’ such as the Ben Aaronovitch Rivers of London series, or the Sarah Painter Crow Investigations books, and I also enjoy Jodi Taylors time travelling historian books in the St Mary’s series, and these Genevieve Cogman books are often referred to in reviews of these books, so I thought I should give them a go.
The premise is that a secret library exists in a universe of parallel worlds whose librarians travel between worlds retrieving rare books. These worlds range from having strong Magical influences, and being ruled by Fae (fairies, vampires, werewolves etc) to having strong logical control and being ruled by Dragons, to somewhere in-between. There is much unrest and no love lost between the dragons and the Fae, with neither side giving much thought to the humans who also inhabit all the worlds. The Librarians are human, but with some extra powers inferred on them by the Library, and they are basically trying to keep the peace, and stop humans from being badly effected by what is going on.
I didn’t instantly love the book the way I have with some other similar books, but I like it enough (at the time of writing this review, I’m on book three in the series, so I liked it enough to keep reading!)
I have a strange relationship with Lionel Shriver books, because they are often pretty dark and cynical in their outlook and world view, and yet I keep coming back to them because they are in many ways such true mirrors to real human experiences.
For me, this book is like two books in one. At first, it took me a while to warm to the character of Pandora, wife and mother whose beloved, handsome, Jazz Musician big brother, who she had always felt somewhat overshadowed by (metaphorically) turned up years since she’s last seen him, down on his luck, and hugely overweight. His prolonged stay at her house put stresses and strains on her marriage and family relationships. The middle part of the book, where Pandora resolves to help her brother lose all the extra weight was my favourite part. They move into an apartment together and their shared journey of extreme dieting and getting fit was fun and relatable.
The end of the book, however, has a bombshell twist which I hated. I don’t want to spoil others experience by saying what it is, but I felt cheated and let down and thought ‘what’s the point in anything then’ when it was revealed.
I guess, like ‘Life of Pi’ the book is what you make of it, and for me, if I chose to ignore the ending and just remember the rest, then I liked it.
I’m starting to get a little bit fed up with The Magnus Archives (I know, I should be ashamed!). Maybe because I’ve listened to nothing else for so long, or maybe because I seem to have endless problems with my Spotify playlist insisting on shuffling episodes when I’m out for a run so I keep getting them out of order, not to mention the endless ads. Hmm. Saying that, I did kind of miss it when I stopped listening for a while.
I still like the spooky voiced narrator/writer, and although I get a bit lost sometimes on the overarching plot, the individual episode horror stories are fun. I have to see it through until the end now, but I’ve stopped listening on my runs because of the problems already mentioned.
This is a sequel to The Watchmaker of Filigree Street, which I loved, and follows the same characters, but this time, instead of a Steampunk Victorian London, the action takes place in an historical Japanese setting with the backdrop of growing Japan/Russian tensions and threats of war. I loved the Japanese elements, since while my son Danny is home preparing for his move to Japan as soon as lockdown allows, we have be immersed in Japanese tv and film and so I was familiar with many of the issues raised.
This book has so many things to recommend it – the writing is clever and both literary and extremely readable, there is mystery and intrigue, mysticism and magical realism, romance and the whole miscommunication and social sidestepping that makes the will they/won’t they scenario so deliciously precarious. I really liked it!
I didn’t know much about the plot of this book when I started, which is good because a lot of the fun is in figuring out what is going on and who to trust. I loved Jonathan Strange and Mr Norrell, (although it’s years since I’ve read it) and so I was excited to read this. I was absolutely gripped by this book – the writing is beautiful and mesmerising, and the descriptions of the house where it is set conjures up so many images and feelings. I had to look up Piranesi who the title character is named for, and discovered he was an Italian artist who did lots of etchings of buildings and especially prisons, with great detail and often with mind bending impossible geometry (similar to Escher). Seeing Piranesi’s drawings helped with my mental image of the house, although it wasn’t really necessary as the writing is so evocative on its own. I loved the mystery of the book, I really bonded with the narrator and of course, I loved the esoteric, metaphysical aspects of the story. Great book, I totally loved it and now I’m sad it’s over!