I just finished listening to this audiobook, and I have a kind of mixed reaction. First, it has a lot to commend it: based on the life of Bram Stoker, mostly during the time when he worked as a stage manager at the London Lyceum Theatre with the famous actors, Sir Harry Irving and Ellen Terry, the language is rich and lyrical and the setting of theatre life and London life at the time of the Ripper is very evocative – you can almost hear the cockney voices and smell the greasepaint and smog. The theme of the book seems to be one of sadness and unfulfilled yearnings. Bram longed to be a successful author and husband but his books did not so well in his lifetime, and his marriage fell apart. All the characters seemed to struggle with inner demons and feelings of insufficiency and failing to reach their self-imposed ideals. For me, as well as the slightly depressing tone, I found the book at times a little confusing and slow (maybe due to listening on Audiobook, as then if I’m not fully paying attention to a paragraph, I can’t just read over it as I would if I was reading on Kindle). Definitely well written and interesting, and yet I just didn’t totally love it.
I’m not a huge fan of crime thriller books, although, oddly enough I do enjoy a moody crime thriller series on the tv (Just binge watched all four series of Cardinal and loved it). Jan McDermid is a good writer though, and one of the few crime thriller writers I enjoy. This book had lots to recommend it – interesting and well developed characters, a plot which kept me guessing almost right up the the reveal, and it was never boring or annoying. Yet, I finished reading this feeling sullied (or maybe just a bit depressed) because the story takes you into the mind of a serial killer and includes some nasty gory details and it’s just a bit too bleak and dark maybe for my tastes. I finished it quite late at night, but had to read some of Billy Connolly’s funny monologues before going to sleep just to get my head into a better place. I’ve already bought more in the series (they were on offer on Amazon one day) so I will read more, but I need to space out the series with lighter things in between.
This was my book group read for August, and I probably wouldn’t have read it otherwise as I’m generally not a fan of short stories, although I do love Anthony Doerr’s novels – All The Light We Cannot See, and About Grace. Well, I’m glad I did read it as the writing was really beautiful and compelling and the stories were long enough and rich enough to draw me into the world of their protagonists and really care about what happens to them. There is a theme of man’s relationship to nature which runs through the stories, with quite an emphasis on hunting (especially fishing) which might have put me off if I’d known ahead of reading, but actually didn’t detract from my enjoyment. There are some magical realism elements (yay!) with a blind man’s uncanny ability to find rare shells, and a woman who discovers after marrying a hunter that she can feel the last thoughts and emotions of recently dead animals, as well as seeing the dreams of sleeping animals (and humans). I really enjoyed reading this book.
I’m not sure why I bought this, because it’s really not the sort of thing I usually go for – I had it on kindle, and also on Audible so I’m guessing it was the 99p kindle deal one day and adding audible must have been cheap too (my memory is so bad!) so I went for it. Well, I’m glad I did. Calypso is a series of monologues, some read by the author and some recorded from his live shows. I had not heard of David Sedaris before, but he’s an American comedy writer and speaker and as I listened to him telling me his stories and observances from life I found myself laughing out loud while walking my dog or jogging much to the amusement of those random people also out walking/jogging. I felt a deep sense of connection with his experiences with fitbits and road rage and being part of an extended family, and getting older and I loved his blunt, saying it like it is, sometimes rude or irreverent but always hilarious style.
I’m a fan of the St Mary’s time travelling historians books by Jodi Taylor, and this book, first in a new series by Eva St. John is in many ways very similar. The Quantum Curators are inhabitants of an alternate version of our Earth which they call Earth Alpha, as opposed to Earth Beta (our Earth). They are able to travel via some sort of quantum wormhole to Earth Beta, and arrive at a time of their choosing, and their job is to collect valuable and significant items that are about to be destroyed or lost for ever on Earth beta, in order to display them in their museum. Like the St. Mary’s books, the style is fairly lighthearted, with humour and relationships between characters being just as important as the excitement of the chasing down of artifacts and evading baddies part of the plot. I enjoyed the book and have pre-ordered the next in the series.
I had this book on both Audio and kindle, and although I mostly listened to the story, I did sometimes dip into reading a bit on the kindle, and immediately upon finishing the book I watched the BBC miniseries adaptation, so all in all it’s been a multisensory experience! The book is told from the perspective of lots of different men who are peripheral to the main players and plot, and gives each of their backstories and the ways in which they interact with what’s going on with the central story – one of murder, theft, love and magic during New Zealand’s gold rush era. Because of this method of telling, the story was teased out in bits, with overlap of some things from different perspectives, but with new nuggets (note the gold prospecting pun!) with each man’s tale. Sometimes it was a bit long winded and I did occasionally get a bit bored, but at other times I was totally gripped, and all the more so from having soldiered on through the sometimes tedious details to get to where I was. I liked watching the adaptation after reading, because, although some minor details were changed, the spirit of the story was the same and the programme drew out some of the more magical elements which I don’t think I fully got from reading the book. All in all, a very enjoyable experience.
I enjoyed this next installment in the Jackson Brodie private investigator whodunnit series (although I wished I’d re-read some of the previous ones because I’d forgotten lots of his backstory and relationships etc). Set in the seedy world of human trafficking and historical child abuse rings the plot was interesting, the characters well rounded and the ending was satisfying.
I had recently re-read (actually listened to) Shades of Grey, which is fabulous, and so was really looking forward to this book. In many ways it’s similar to Shades of Grey, in that it’s satirical and political while still being humorous and light. Set in an alternate version of England, where in the 1960s an unknown event happened which caused a small number of animals to become anthropomorphised (ie, took on more human characteristics such and size, sentience and language). In the fifty or sixty odd years since then, the few rabbits had multiplied greatly and were causing issues similar to racism and anti-immigrant feeling which we suffer from in our reality (breeding like rabbits, taking our jobs, you can’t tell them apart, and so on). The main character is torn between his job working for a government rabbit control enforcement agency (due to his rare ability to tell individual rabbits apart from each other) and his friendship with a female rabbit whom he had known since they were students together. He is drawn into fighting with the rabbit resistance and there is danger and excitement. I found the ending a little depressing, although thought provoking and kind of understandable.
It took me quite a long time to get invested in this audiobook. I’d had high hopes because of loving The Watchmaker of Filigree Street so much, but this is a very different book. The first part, where our main character is introduced – a young man whose once landed family are down on their luck in 19th century England didn’t grip me, and it wasn’t until he travelled to Peru, sent by the India office to smuggle back Quinine trees, that it started to interest me. The characters of the landscape and the people of Peru were fascinating, especially the enigmatic Peruvian priest, Raphael. As the plot progressed, and the supernatural and magical realism elements took more of a centre stage, I was hooked and I enjoyed the book more and more as it went along. I especially liked the cameo appearance of the Watchmaker from the Filigree street book!
I had pre-ordered The Pearl King because I love this supernatural series about a young woman born into one of the ‘magical families’ of London who had tried to separate herself from the family’s influence, but finds herself more and more drawn in. The Pearl King follows on seamlessly from the cliffhanger ending of The Fox’s Curse, but because it’s a wee while since I read The Fox’s Curse, I had no clue what was going on, so went and re-read it before going back to The Pearl King. I enjoyed reading both books very much – Lydia (the main character) is a private investigator, who lives with a ghost, is dating a police officer and is under pressure to take up the reins of leadership of The Crow family – a mafia-like controlling criminal magical family with tenuous allegiances/rivalries with the other main families: The Silvers, The Foxes and The Pearls. The first three books in the series were fairly light-hearted, but The Pearl King takes on a darker note as Lydia is forced to show her mettle due to the pressures that surround her. It’s gripping, still funny at times and a satisfying and compelling read.